Pesquisando por: "JAMES GILLRAY" - Fotoarena - Agência de fotojornalismo

00591087 "Napoleon I., 15.8.1769 - 5.5. 1821, French Emperor 2.12.1804 - 22.6.1815, ""Tiddy Doll"", political caricature by James Gillray, 25,2 cm x 35,3 cm, coloured aquatinta, London, 1806,"

00591084 "Napoleon I., 15.8.1769 - 5.5. 1821, French Emperor 2.12.1804 - 22.6.1815, ""Evacuation of Malta"", political caricature by James Gillray, 25,2 cm x 35,3 cm, coloured aquatinta, London, 1803,"

00904032 Jenner, Edward, 17.5.1759 - 26.1.1823, English medic / physician, half length, executing smallpox vaccination developed by him, coloured engraving by James Gillray (1757 - 1815), London, 12.6.1802,

00591085 "Pitt, William the Younger, 28.5.1759 - 23.1.1806, British politician (Tory), prime minister 10.5.1804 - 23.1.1807, political caricature ""Political Dreams, Visions of Peace, Perspective Horrors"", coloured aquatinta by James Gillray, London, 1801,"

00346884 "medicine, disease, gout, ""The Gout"", drawing by James Gillray (1757 - 1815), 14.5.1799,"

00909034 "fashion, 18th century, ""Parasols for 1795"", drawing by James Gillray (1756 - 1815), 15.6.1795,"

00258608 "George IV, 12.8.1762 - 26.6.1830, King of Great Britain 29.1.1820 - 26.6.1830, caricature, ""The Lovers Dream"", copper engraving by James Gillray, 24.1.1795,"

00909032 "fashion, 18th century, ""And Catch the Living Manners As They Rise"", drawing by James Gillray (1756 - 1815), 7.5.1794,"

00067323 "George IV, 12.8.1762 - 26.6.1830, King of Great Britain 29.1.1820 - 26.6.1830, caricature, ""A voluptuary under the horrors of digestion"", copper engraving by James Gillray, 2.7.1792,"

alb3622517 The Plumb-Pudding in Danger;-or-State Epicures Taking un Petit Souper. Artist: James Gillray (British, Chelsea 1756-1815 London). Dimensions: plate: 10 1/4 x 14 1/4 in. (26 x 36.2 cm)sheet: 10 3/8 x 14 7/16 in. (26.4 x 36.6 cm). Publisher: Hannah Humphrey (London). Date: February 26, 1805.Napoleon Bonaparte, declared emperor of France in 1804, and the English statesman William Pitt sit across a dining table, each carving out a piece from a plum pudding in the shape of the world. The diminutive Napoleon, rising from his seat in order to reach the table, hungrily takes Europe while Pitt carves a large slice of ocean, illustrating the respective areas of power in the ongoing war between Britain and France. Museum: Metropolitan Museum of Art, New York, USA.

alb4144585 Comfort to the Corns. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1800. Dimensions: 262 × 201 mm (image); 260 × 198 mm (plate); 295 × 234 mm (sheet). Hand-colored etching on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

alb4146631 The Cow-Pock- or- The Wonderful Effects of the New Innoculation!. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1802. Dimensions: 234 × 338 mm (image); 252 × 347 mm (plate); 270 × 387 mm (sheet). Etching with hand-coloring on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

akg8935392 James Gillray. Blood on Thunder Fording the Red Sea, 1788. Etching and stipple engraving, hand-colored on moderately thick, slightly textured, cream laid paper, 22.8 × 33.6 cm. Inv. No. B1981.25.963. New Haven, Yale Center for British Art.

akg1948508 Napoleon I Bonaparte; Emperor of the French; 1769 - 1821. "Buonaparte, 48 Hours after Landing". (Cartoon on the proposed invasion of England by Napoleon). Etching, watercoloured, by James Gillray (1757-1815), London, 26.07.1803; 35.8 x 25.4 cm. Inv. no. 1977-92; Kupferstichkabinett, Dresden (Germany). Hamburg, Kunsthalle. Museum: Hamburg, Kunsthalle.

akg363944 Charles James Fox; British politician (leader of the Whigs); 1749-1806. "Blue & Buff Charity; - or - The Patriarch of Greek Clergy apllying for Relief". (Cartoon). Etching by James Gillray (1757-1815). London (Hannah Humphrey) June 12, 1793.

akg015992 Napoleon I Bonaparte, emperor of the French (1804-15); 1769-1821. "The Spanish-Bull-Fight - or the Corsican Matador in Danger". (Cartoon about the English-backed Spanish civil uprising against Napoleon in 1808). Etching, 11 July 1808, by James Gillray (1757-1815).

alb2631197 End of the Irish Invasion or the Destruction of the French Armada, Gillray, James, 1756-1815, engraver, London, engraving 1797, french warships being tossed about during a storm blown up by Pitt, Dundas, Grenville and Windham, whose heads appear from the clouds. Charles Fox is the figurehead on Le Revolutionaire which is floundering with broken mast. The Revolutionary Jolly Boat is being swamped, throwing Sheridan, Hall, Erskine, M.A. Taylor and Thelwall overboard.

akg160501 Nelson, Horatio, Lord N.; brit. Admiral. Burnham Thorpe (Norfolk) 29.9.1758 - (gefallen) bei Trafalgar 21.10.1805. "The Hero of the Nile". (Nelson nach dem Sieg }ber die franz. Flotte in der Seeschlacht bei Abukir am 1. August 1798). Radierung von James Gillray (1797-1815), London, 1. Dezember 1798.

akg568114 Howe, Sir Richard, 1. Earl Howe; brit. Flottenadmiral; 1726-1799. / - "Black-Dick turn'd taylor". (Karikatur: Lord Howe beim Schneidern neuer Uniformen für die Marine). Radierung von James Gillray (1757-1815), London (George Humphrey). 4. Februar 1788. Pl. 23,5 × 22,7 cm. Privatsammlung. Museum: PRIVATE COLLECTION.

akg8937652 James Gillray. Sophia, Honour, and the Chambermaid, 1780. Stipple engraving on moderately thick, slightly textured, beige laid paper, 20.7 × 16.7 cm. Inv. No. B1994.4.967. New Haven, Yale Center for British Art.

alb2637207 A Cognocenti contemplating ye Beauties of ye Antique, Gillray, James, 1756-1815, engraver, [London] : H. Humphrey, 1801, an elderly Sir William Hamilton inspecting his antiquities, all of which refer to his wife, Lady Emma Hamilton and her lover, Lord Horatio Nelson. In the background hang four pictures on the wall: Cleopatra, a picture of Lady Hamilton with her breasts exposed, holding a gin bottle; Mark Anthony, Lord Nelson with a sea battle in background: an erupting volcano; and a portrait of Hamilton, facing away from the other paintings.

alb2108869 Design for the new gallery of busts and pictures, and so far will I trust thee gentle Kate, Henry 4th, part 1st , Gillray, James, 1756-1815, engraving 1792, interior view of a portrait gallery with busts of Demosthenes and Cicero, both frowning, and between them a bust of Charles J. Fox; hanging on the wall above are two prints showing Catherine II of Russia, in one, titled Justice, she is about to stab a sultan, in the other, Moderation, she is facing a map of Moldavia, Bessarabia, and Wallachia, which she embraces with outspread arms; hanging above the bust of Fox is a crowned circle inscribed Conjugal love. A cure for the Haemerroidical Cholic within which is a rope noose.

alb2610630 Design for the new gallery of busts and pictures, and so far will I trust thee gentle Kate, Henry 4th, part 1st , Gillray, James, 1756-1815, engraving 1792, interior view of a portrait gallery with busts of Demosthenes and Cicero, both frowning, and between them a bust of Charles J. Fox; hanging on the wall above are two prints showing Catherine II of Russia, in one, titled Justice, she is about to stab a sultan, in the other, Moderation, she is facing a map of Moldavia, Bessarabia, and Wallachia, which she embraces with outspread arms; hanging above the bust of Fox is a crowned circle inscribed Conjugal love. A cure for the Haemerroidical Cholic within which is a rope noose.

alb2111922 A Cognocenti contemplating ye Beauties of ye Antique, Gillray, James, 1756-1815, engraver, [London] : H. Humphrey, 1801, an elderly Sir William Hamilton inspecting his antiquities, all of which refer to his wife, Lady Emma Hamilton and her lover, Lord Horatio Nelson. In the background hang four pictures on the wall: Cleopatra, a picture of Lady Hamilton with her breasts exposed, holding a gin bottle; Mark Anthony, Lord Nelson with a sea battle in background: an erupting volcano; and a portrait of Hamilton, facing away from the other paintings.

alb5103352 Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas), James Gillray, 17571815, British, Published by Hannah Humphrey, ca. 17451818, British, 1791, Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper, Sheet: 9 13/16 x 13 3/4 inches (25 x 35 cm) and Image: 8 11/16 x 13 inches (22 x 33 cm), burlesque, caricature, cloaks, cross-dressing, darkness, drama, gesturing, hair, hats, humor, literary theme, Macbeth, Act I, Scene III, Macbeth, play by William Shakespeare, men, meteorology, minions, ministers, moon, ocean, parody, political, politicians, posing, satire, science, storm, witches, women.

alb5105649 A Cognocenti Contemplating ye Beauties of ye Antique, Print made by James Gillray, 17571815, British, after James Gillray, 17571815, British, Published by Hannah Humphrey, ca. 17451818, British, 1801, Etching, hand-colored on moderately thick, smooth, cream wove paper mounted on green card, Sheet: 15 3/8 x 10 11/16 inches (39 x 27.2 cm) and Image: 13 x 10 1/16 inches (33 x 25.5 cm), animals, antiques, beauty, boots, broken, cane, caricature, carpet, dishes, drinking glasses, goblet, grotesque, hand, hat, humor, man, mummy, old, paintings, parody, pots, relics, satire, sculptures, spurs, statues, table, thoughtful, vases, Vesuvius.

alb5107532 The Valley of the Shadow of Death, James Gillray, 17571815, British, Published by Hannah Humphrey, ca. 17451818, British, 1808, Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper, Sheet: 10 3/8 x 15 7/16 inches (26.4 x 39.2 cm) and Image: 9 9/16 x 14 7/8 inches (24.3 x 37.8 cm), animals, Bible, birds, caricature, chains, crowns (symbols of sovereignty), death, dogs (animals), donkey, dying, Europe, fear, fire, frogs (animals), hat, hell, historical subject, hourglass, humor, lightning, monsters, moon, parody, path, political, rats, riding, rivers, satire, shadow, signs, skeletons, snakes, soldiers, spear, Styx (river of Hades); 'Stige' (Ripa), swords, valley, war.

alb5103435 The Rake's-Progress at the University - No. 1 - 'Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter.', James Gillray, 17571815, British, Published by Hannah Humphrey, ca. 17451818, British, 1806, Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper, Sheet: 9 9/16 x 13 7/8 inches (24.3 x 35.3 cm) and Image: 8 3/4 x 13 7/8 inches (22.3 x 35.3 cm), academic robes, arcade, arches, bog, breeches, caricature, catching, cravats, doorway, fear, hallways, humor, men, mortar boards, parody, satire, shadows, sneaking, spying, students, tassels, university, watching, youth.

alb9492785 Woman with a wheelbarrow of carrots in front of the shop window of bookseller Robert Faulder in London, Sandwich carrots! dainty sandwich carrots (title on object), A woman wearing a hat and an apron walks behind a wheelbarrow of carrots. Behind her walks John Montagu, Earl of Sandwich. In the background, the shop window of bookseller Robert Faulder on the corner of Little Madox Street and New-Bond Street., print maker: James Gillray, (mentioned on object), publisher: Hannah Humphrey, (mentioned on object), London, Dec-1796, paper, etching, height 358 mm × width 252 mm.

alb5101669 A London Street Crier, James Gillray, 17571815, British, undated, Watercolor with pen and brown ink over graphite on medium, slighlty textured, cream wove paper, Sheet: 9 1/8 × 6 1/8 inches (23.2 × 15.6 cm), baby, child, genre subject, street, woman, England, Greater London, London, United Kingdom.

alb9467813 Woman reads a horror novel, Tales of Wonder! (title on object), Interior with four women around a table with a candle in the center. One of them is reading the 'Gothic Novel' The Monk, written by Matthew Lewis. The three other women are listening anxiously. On the mantelpiece are figurines of horror figures., print maker: James Gillray, (mentioned on object), after own design by: James Gillray, (mentioned on object), publisher: Hannah Humphrey, (mentioned on object), London, Feb-1802, paper, etching, height 255 mm × width 346 mm.

akg8447777 James Gillray, British caricaturist and printmaker, 13.8.1756 - 1.6.1815. Lady Godina's Rout; or Peeping-Tom Spying out Pope-Joan (card game; 9 of diamonds is called Pope Joan), 1796. Print, etching hand-coluored with watercolour, 26.6 × 37 cm. Inv. No. 2011.187, Cleveland, Museum of Art.

alb4087903 Progress of the Toilet.-The Stays. Plate 1. The caricatures of Gillray; with historical and political illustrations, biographical anecdotes and notices. pt. I-IX. London, 1818. Source: 745.a.6 opposite page 158. Author: JAMES GILLRAY.

alb5193822 Portrait of James Gillray, Charles Turner, British, 17731857, James Gillray, 1756 1815, Mezzotint and engraving on paper, Within an unadorned oval frame is a bust length portrait of the painter, James Gillray, facing left, his gaze directed toward the observer. He wears a striped stock. Inscription below, and engraver's and publisher's names., England, 1819, Print, Print.

akg5304447 James Gillray. 'Tales of wonder !'. London, 1818. From: The caricatures of Gillray; with historical and political illustrations, biographical anecdotes and notices. 745. a. 6 plate 8. London, British Library. Copyright: Additional permissions needed for non-editorial use.

alb2623531 High change in Bond Street, ou la Politesse du Grande Monde, Gillray, James, 1756 1815, engraver, London, engraving 1796, fashionably dressed pedestrians on Bond Street. In the foreground, five men crowd a woman and girl off the sidewalk as they leer at them. The women, seen from the back, are oddly dressed. In the background, three ladies, also in exaggerated costumes, walking arm in arm in the roadway.

alb2606005 The hand-writing upon the wall, Gillray, James, 1756 1815, artist, London, 1803, Napoleon, Josephine, French soldiers and women seated at feast with dishes Bank of England, St. James, Tower of London, and Roast Beef of old England. Napoleon looks in horror at hand of Jehovah pointing to words in sky, Mene mene, tekel upharsin.

akg364426 Jane Maxwell Gordon, Duchess (Alexander) Gordon; 1746-1812. "The Gordon-knot", or the bonnyduchess hunting the Bedfordshire bull". (Cartoon: Jane Gordon tries to capture Francis Russell, Duke of Bedford, for her daughters). Etching by James Gillray (1757-1815). London (H. Humphrey) April 18, 1797.

akg364110 Elizabeth Plunkett, née Gunning. English writer; 1769-1823. "Betty Canning revived (...)". (Cartoon: Elizabeth Gunning at a fortune-teller's). Etching by James Gillray (1757-1815), London (J.M. Fobes) March 25, 1791.

alb2109703 The miser's feast, Gillray, James, 1756-1815, artist, London : by W. Holland, en sanguine engraving 1786, a miser seated at a table eating a meager meal; Death stands off to the right as an emaciated and naked manservant holding in his right hand a tray with a bone on it and behind him, in his left hand, the dart of death; Famine, a withered hag, naked to the waist which funnels to a point, wearing a large hat and fashionable skirt, stands at the open door through which enter a fashionably dressed prostitute and another woman carrying stolen articles to leave with the miser. Padlocked chests and cupboards, moneybags, and plastered-over windows (for tax savings purposes) attest to the avarice and miserliness of the occupant.

akg363923 Magie et superstition : divination / Cartes. "Miss, I have a Monstrous Crow to pluck with you!!". Gravure de James Gillray (1757-1815). Londres (Hannah Humphrey), 1er novembre 1794.

alb5085514 Presages of the Millenium, James Gillray, 17571815, British, after James Gillray, 17571815, British, Published by Hannah Humphrey, ca. 17451818, British, 1795, Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper, Sheet: 13 x 14 13/16 inches (33 x 37.6 cm) and Image: 11 5/8 x 14 1/8 inches (29.6 x 35.8 cm), Bible, caricature, clouds, crown, death, destruction, faith, famine, fear, fire, fish, galloping, grotesques, hell, herds, historical subject, hoards, horse (animal), humor, killing, legislation, men, meteorology, monsters, nude, parody, peace, pigs, power, riding, satire, science, scrolls, seamen, serpents, souls, storm, sword, swords, testimony, truth, uniforms, wings.

alb5084887 The Death of the Great Wolf, James Gillray, 17571815, British, after James Gillray, 17571815, British, Published by Hannah Humphrey, ca. 17451818, British, 1795, Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper, Sheet: 13 3/8 x 17 7/16 inches (34 x 44.3 cm) and Image: 11 1/4 x 17 1/16 inches (28.6 x 43.3 cm), armies, axes, blood, boats, caricature, death, drinking glass, dying, eyeglasses, fighting, flags, flotilla, food, French, hats, historical, historical subject, History, messengers, natives, navy, ocean, parody, political, satire, scepters, sea, swords, troops, victory, war, wine, wolf.

alb4149155 Sad Sloppy Weather. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1808. Dimensions: 252 × 202 mm (image); 255 × 207 mm (plate); 285 × 240 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

alb4147961 Very Slippery Weather. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1808. Dimensions: 252 × 195 mm (image); 260 × 205 mm (plate); 283 × 235 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

akg171559 Frederica, Duchess of York; daughter of King Frederick William II of Prussia and Elizabeth of Brunswick-Wolfenbüttel. 1767-1820. "Her Royal Highness the Duchess of York". Etching by James Gillray (1757-1815), London, 10.4.1792.

alb3624986 Maecenas, in pursuit of the Fine Arts.-Scene, Pall Mall; a Frosty Morning. Artist: James Gillray (British, Chelsea 1756-1815 London). Dimensions: plate: 10 1/4 x 7 7/8 in. (26 x 20 cm). Publisher: Hannah Humphrey (London). Date: May 9, 1808. Museum: Metropolitan Museum of Art, New York, USA.

alb9427217 Progress of the Toilet: The Wig (title on object), Toilet making: pl. 2: putting on the wig, No. 2 from series of three prints showing the different stages of toilet making anno 1810. The lady, in a white undergarment, with a book in her hand, sits before her toilet mirror. Her chambermaid stands behind her holding a wig. On the table to the left are several decanters of cosmetics. Clothes and a music book on the floor. On the chair a canopy hat. On the wall an open bookcase; key in door. The print states that the drawing is by an amateur., print maker: James Gillray, (mentioned on object), after drawing by: anonymous, (mentioned on object), publisher: John Miller, (mentioned on object), London, c. 1815 - c. 1820, paper, etching, height 307 mm × width 217 mm.

alb9383553 Committee of Military Affairs, 1795, The Committee of Military Affairs (title on object), Hollandia Regenerata (series title), Cartoon on the Committee of Military Affairs, 1795. Four men standing at a monument to 'The New Organization. 1795'. On the monument is a skeleton in uniform. On the right possibly Colonel Rogier Sulyard de Leefdael, on the left possibly Herman Willem Daendels., print maker: James Gillray (possibly), intermediary draughtsman: David Hess, London, 1795, paper, etching, height 273 mm × width 220 mm.

alb9339801 Committee of the Vivres and necessities, 1795, The Committee of the Vivres (title on object), Hollandia Regenerata (series title), Cartoon on the Committee of the Vivres and necessities, 1795. These vivres or necessities were collected on behalf of the French troops stationed in the Netherlands. Two members of this committee take food from an angry fisherman and an old woman., print maker: James Gillray (possibly), intermediary draughtsman: David Hess, London, 1795, paper, etching, height 273 mm × width 218 mm.

alb9337048 Committee of Remotion, 1795, The Committee of Remotion (title on object), Hollandia Regenerata (series title), Cartoon on the (non-existent) Committee of Remotion, 1795. In a church, the tomb of a prince of Orange is destroyed and violated. A skeleton is kicked to pieces and a boy urinates on a skull. In response to the destruction of the tomb of the Frisian Nassau's in the Jacobijnerkerk in Leeuwarden on 1 August 1795., print maker: James Gillray (possibly), intermediary draughtsman: David Hess, London, 1795, paper, etching, height 273 mm × width 218 mm.

alb9340354 Committee of General Welfare, 1795, The Committee of General Welfare (title on object), Hollandia Regenerata (series title), Cartoon on the Committee of General Welfare, 1795. Four crippled men standing and sitting in front of the State Pharmacy. In the clouds the raging Envy. The pickpocket on the right is probably Bernardus Blok, the seated fat man probably Cornelis van der Hoop Gz., print maker: James Gillray (possibly), intermediary draughtsman: David Hess, London, 1795, paper, etching, height 275 mm × width 223 mm.

alb9342315 Committee of Commerce and Shipping, 1795, The Committee of Commerce and Shipping (title on object), Hollandia Regenerata (series title), Cartoon on the Committee of Commerce and Shipping, 1795. Three members of this committee on a coastal dune. They demonstrate their incompetence by forging straight anchors crooked, selling sulphur sticks and tearing up sails. On the water floats a small boat with a torn sail., print maker: James Gillray (possibly), intermediary draughtsman: David Hess, London, 1795, paper, etching, height 275 mm × width 220 mm.

alb9372572 Committee on Foreign Affairs, 1795, The Committee on Foreign Affairs (title on object), Hollandia Regenerata (series title), Cartoon on the Committee on Foreign Affairs, 1795. Members of the committee can only see with the aid of various optical instruments. On the left, a viewer is peering at the possible arrival of the army of Frederick, Prince of Orange. The central figure is held in front of a pair of glasses by the French general Pichegru. On the right a man with shriveled legs (Jacob Hahn) is peering through a pair of binoculars., print maker: James Gillray (possibly), intermediary draughtsman: David Hess, London, 1795, paper, etching, height 273 mm × width 222 mm.

alb3603324 The Zenith of French Glory; - the Pinnacle of Liberty. Artist: James Gillray (British, Chelsea 1756-1815 London). Dimensions: plate: 13 7/8 x 9 7/8 in. (35.2 x 25.1 cm)sheet: 19 1/2 x 13 1/8 in. (49.5 x 33.3 cm). Publisher: Hannah Humphrey (London). Date: February 12, 1793. Museum: Metropolitan Museum of Art, New York, USA.

alb4145641 The British Butcher, Supplying John Bull with a Substitute for Bread. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1795. Dimensions: 326 × 244 mm (image); 348 × 249 mm (top plate); 36 × 247 mm (bottom plate); 394 × 280 mm (sheet). Etching in dark brown, with handcoloring, and second plate with additional etched inscriptions in brown ink, below, on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

alb4144868 John Bull at His Studies. Unknown Artist (English, late 18th-early 19th centuries); published by S. W. Fores (English, active 1785-1825). Date: 1799. Dimensions: 365 × 270 mm. Hand-colored etching on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

akg218847 William V, Prince of Orange, Stadtholder of the Netherlands; 1748 - 1806. - "Amsterdam in a Damn'd Predicament (...)". (A caricature of the suppression of the insurrection against the Stadtholder in 1787, with the help of Prussia). Etching by James Gillray (1757-1815), London, November 4, 1787. 33.2 × 44.5 cm.

alb2621833 L'assemblee nationale or grand cooperation meeting at St. Ann's Hill. Respectfully dedicated to the admirers of A Broad-Bottom'd Administration, Gillray, James, 1756-1815, artist, [London] : Published by H. Humphrey, 1804 June 18., 1 print : etching, hand-colored., Print shows a reception given by Charles James Fox and wife for various groups and friends of the Prince of Wales, all opposed to the government.

alb4147842 The Pigs Possessed. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1807. Dimensions: 390 × 290 mm (image); 415 × 300 mm (plate); 447 × 342 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

alb4149476 He Steers His Flight. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1810. Dimensions: 488 x 375 mm (image); 512 x 395 mm (plate); 525 x 415 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA. Author: JAMES GILLRAY.

alb2119616 Comfort of a Bed of Roses, Gillray, James, 1756-1815, engraver, [London] : H. Humphrey, 1806, Charles Fox, in bed with his wife, having a nightmare. To the right, Napoleon jumps to the bed from a cannon with the words Pour subjugeur le Monde inscribed on the muzzle; behind him are seen pikes and a banner with the words Horrors of Invasion. William Pitt, as a shade, floats near the bed, admonishing Fox to awake. An eagle with the collar labeled Prussia looms over Fox's head. From under the bed grow thorny rose branches and Death crawls out from under the covers. A bulldog with its collar inscribed John Bull lunges at Napoleon.

alb2108541 Praetor-Urbanus, Inauguration of the Coptic Mayor of Cairo, preceded by the Procureur de la Commune, Gillray, James, 1756-1815, engraving 1799, An obese, Copt, holding a mace or staff, rides an ass which, though led processionally by a Copt, proceeds on account of the bayonet with which a grinning French soldier stabs its hind quarters.

akg363814 Stewart, John, 7th Earl of Galloway; 1736-1806. "A Scotch Poney - Gathered call'd a Galloway". (Cartoon). Etching by James Gillray (1757-1815). London (Hannah Humphrey) June 4, 1803.

akg568112 Militär / Karikatur. "Brigade Major, - Weymouth 1797". Radierung von James Gillray (1757-1815), London (Hannah Humphrey). 15. November 1797. Privatsammlung. Museum: PRIVATE COLLECTION.

alb5086257 A Morning Ride, James Gillray, 17571815, British, after unknown artist, (I.L.R.), Published by Hannah Humphrey, ca. 17451818, British, 1804, Etching on moderately thick, slightly textured, beige wove paper, Sheet: 13 11/16 x 20 3/16 inches (34.7 x 51.2 cm), Plate: 12 13/16 x 19 5/16 inches (32.6 x 49 cm), and Image: 10 7/8 x 18 15/16 inches (27.6 x 48.1 cm), arches, boy, coats, cobblestones, colonel, columns, fences, genre subject, groom, guard, guards, historical subject, horses (animals), house, humor, king (person), lampposts, men, nobility, pediment, political, prince, reins, riding, running, satire, servants, street, top hats.

alb2113614 Taming of the shrew, Katharine and Petruchio, The modern Quixotte, or, what you will, Gillray, James, 1756-1815, engraving 1791, Catherine II, faint and shying away from William Pitt, who appears as Petruchio, and Don Quixote on horseback (a lean and scarred George III whose authority has been usurped by Pitt), seated behind Pitt are the King of Prussia and a figure representing Holland as Sancho Panza, Selim III kneels to kiss the horse's tail; a gaunt figure representing the old order in France and Leopold II render assistence to Catherine by preventing her from falling to the ground.

alb4145563 "Miss, I have a Monstrous Crow to pluck with you!!". James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1794. Dimensions: 233 × 290 mm (image); 243 × 302 mm (plate); 246 × 302 mm (sheet). Etching in dark brown, with handcoloring, on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

akg8935351 James Gillray. Councellor Ego. - i. e.: - Little I, Myself, I., 1798. Etching, hand-colored, 16.2 × 10.2cm. Inv. No. B1981.25.921. New Haven, Yale Center for British Art.

akg8935304 James Gillray. The Rival Queens, or a Political Heat for Lege (Rege) and Grege, 1789. Etching, hand-colored, 21.7 × 32.9cm. Inv. No. B1981.25.823. New Haven, Yale Center for British Art.

akg8935303 James Gillray. Cooling the Brain - or - The Little Major, Shaving the Shaver, 1789. Etching, hand-colored, 22.9 × 33cm. Inv. No. B1981.25.822. New Haven, Yale Center for British Art.

akg8934469 James Gillray. The Leadenhall Volunteer, Drest in his Shawl, 1797. Etching, hand-colored, 17.1 × 14cm. Inv. No. B1981.25.1002. New Haven, Yale Center for British Art.

akg8935030 James Gillray. Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance, 1782. Etching, hand-colored, 17.8 × 24.1cm. Inv. No. B1981.25.1591. New Haven, Yale Center for British Art.

akg8937864 James Gillray. The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."The Rake's-Progress at the University, 1806. Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper, 22.5 × 35.3 cm. Inv. No. B1995.23.26. New Haven, Yale Center for British Art.

akg8934557 (?) James Gillray. Plan of Mud Island, off the Kingdom of Corsica, ca 1790. Etching, hand-colored, 11.4 × 17.8cm. Inv. No. B1981.25.1090. New Haven, Yale Center for British Art.

akg8934527 (?) James Gillray. Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---, 1789. Etching, hand-colored, 25.4 × 27.3cm. Inv. No. B1981.25.1061. New Haven, Yale Center for British Art.

akg8923074 James Gillray. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing, 1805. Etching and aquatint, hand-colored on moderately thick, slightly textured, beige wove paper, 32.8 × 24.7 cm. Inv. No. B1976.1.143. New Haven, Yale Center for British Art.

akg8929962 James Gillray. Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess, 1796. Engraving, 64.5 × 48.3cm. Inv. No. B1977.14.21012 (35). New Haven, Yale Center for British Art.

akg8929960 James Gillray. The Grand - Signior retiring, 1796. Engraving, 64.5 × 48.3cm. Inv. No. B1977.14.21012 (33). New Haven, Yale Center for British Art.

akg8929942 James Gillray. Patience on a Monument, 1791. Engraving, 64.5 × 48.3cm. Inv. No. B1977.14.21012 (18). New Haven, Yale Center for British Art.

akg8929975 James Gillray. The Castle in the Moon, 1782. Engraving, 64.5 × 48.3cm. Inv. No. B1977.14.21012 (6). New Haven, Yale Center for British Art.

akg8929972 James Gillray. Miss, I have a Monstrous Crow to pluck with you!!, 1794. Engraving, 64.5 × 48.3cm. Inv. No. B1977.14.21012 (44). New Haven, Yale Center for British Art.

akg8929958 James Gillray. Presentation of the Mahometan Credentials - or - The Final resource of French Atheists, 1793. Engraving, 64.5 × 48.3cm. Inv. No. B1977.14.21012 (31). New Haven, Yale Center for British Art.

akg8929949 James Gillray. Wha Wants Me?, 1792. Engraving, 64.5 × 48.3cm. Inv. No. B1977.14.21012 (23). New Haven, Yale Center for British Art.

akg8929957 James Gillray. A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty., 1793. Engraving, 64.5 × 48.3cm. Inv. No. B1977.14.21012 (30). New Haven, Yale Center for British Art.

akg8929952 James Gillray. Brisk Cathartic, 1804. Engraving, 64.5 × 48.3cm. Inv. No. B1977.14.21012 (26). New Haven, Yale Center for British Art.

akg8929964 James Gillray. Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797, 1805. Engraving, 64.5 × 48.3cm. Inv. No. B1977.14.21012 (37). New Haven, Yale Center for British Art.

akg8929969 James Gillray. The Man of Feeling, in search of Indispensibles, 1800. Engraving, 64.5 × 48.3cm. Inv. No. B1977.14.21012 (41). New Haven, Yale Center for British Art.

akg8906957 James Gillray. Two Men at Fisticuffs, undated. Watercolor with pen and black ink on medium, slightly textured, cream laid paper, 19.1 × 18.7 cm. Inv. No. B1975.4.326. New Haven, Yale Center for British Art.

akg8294107 James Gillray, 1756 - 1815."Democracy, or a Sketch o, 1800.Print, Etching Support: white wove paper laid down on beige wove paper.Inv. Nr. 1949-152-470Washington, Cooper Hewitt, Smithsonian Design Museum.

akg8293583 James Gillray, 1756 - 1815."Democracy, or a Sketch o, 1800.Print, Etching Support: white wove paper laid down on beige wove paper.Inv. Nr. 1949-152-475Washington, Cooper Hewitt, Smithsonian Design Museum.

ado00092975 Reign of Napoleon Bonaparte. John Bull brandish the head of Napoelon. Threat of what could happen to Napoleon 48 hours after his landing in England. English caricature of July 23, 1803. Author: JAMES GILLRAY.

ado00092976 Napoleonic wars. The tyrant Bonaparte, sitting on the shoulders of Talleyrand, observes the defeat of the French fleet attempting to invade England and thus prides itself on getting rid of thousands of cruel Frenchmen. English caricature of November 12, 1803. Author: JAMES GILLRAY.

ado00092963 Reign of Napoleon Bonaparte. Bonaparte having conquered the world, has built a nest on a summit of the Pyrenees, like a tired phoenix. English caricature of August 2nd, 1808. Author: JAMES GILLRAY.

akg165196 Napoleon I Bonaparte, Emperor of the French, 1769-1821. - "Buonaparte, 48 Hours after Landing". (Caricature of Napoleon and his intentions to invade England). Etching by James Gillray (1757-1815), London, 26 July 1803.

akg160395 Pitt, William t. Y.; Brit. politician. 1759-1806. / "Uncorking Old-Sherry". (Caricature about Prime Minister Pitt, who is uncorking a bottle with the head of the opposition leader Sheridan). Etching by James Gillray (1757-1815), 35.4 × 25cm. London, 10. March 1805.

akg160494 William Windham; British politician; 1750-1910. "Political-Dreamings: Visions of Peace! - Perspective Horrors!". (Caricature: The retired Minister of War Windham as opponent of the English peace negotiations with France leading to the peace of Amiens in 1802). Etching by James Gillray (1757-1815), London, Nov. 9, 1801. 26.2 × 36.2 cm.

akg164550 Unfall / Sturz. "Very Slippy-Weather" (Sehr rutschiges Wetter). Karikatur von James Gillray (1757-1815). Aus einer Serie von sieben Karikaturen auf das Verhalten von Männern in extremen Wetterlagen. Radierung, 25,9 × 20 cm. London, 10. Februar 1808.

akg164557 Fox, Charles James; British politician. (leader of the Whigs); 1749-1806. "Introducing of Citizen Volpone & his Suite at Paris". (Caricature about Fox's audience with Napoleon in Paris, 3rd September 1802). Etching by James Gillray (1757-1815), London, 15th November 1802. 25.6 × 35.5cm.

akg174642 Medizin:. Impfung. "The Cow-Pock - or - the Wonderful Effects of the New Inoculation!". (Karikatur auf die von Edward Jenner 1799 in London eingeführte Impfung mit Kuhpockengift). Radierung, koloriert, 1802, von James Gillray (1757-1815).